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The Present Tense

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151

THROUGH HIS NAME (SATB) – 1 John 2:12-14

THROUGH HIS NAME (SATB) – 1 John 2:12-14 #Chorale SATB #INTERMÉDIAIRE #Musique Sacrée #Michael A #THROUGH HIS NAME #M.A. Morizio #SheetMusicPlus

Choral Choir (SATB) - Level 3 - SKU: A0.926666 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588437. Published by M...(+)

$1.99 ≈ 1.86€

Joy to the World with the Hallelujah Chorus

Joy to the World with the Hallelujah Chorus #Piano seul #INTERMÉDIAIRE/AVANCÉ #Noël #Stephen R Dalrymple #Joy to the World with the Hall #Stephen R Dalrymple #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.818229 By Stephen R Dalrymple. By Isaac Watts and Lowell Mason (from George Frederick Handel). Arranged by Stephen R Dalr...(+)

$4.50 ≈ 4.20€

Who Is Jesus?

Who Is Jesus? #Joel Raney #Who Is Jesus? #Hope Publishing - Digital #SheetMusicPlus

(Orchestra) - SKU: H1.8941DP Composed by Joel Raney. Musicals for Adults. Lent, Holy Week, Good Friday, Jesus Christ - Cross, Jesus Christ - Death. Chor...(+)

$12.95 ≈ 12.09€

Who Is Jesus?

Who Is Jesus? #Joel Raney #Who Is Jesus? #Hope Publishing - Digital #SheetMusicPlus

Instrument Parts - SKU: H1.8944DP Composed by Joel Raney. Instrumental parts. 155 pages. Hope Publishing - Digital #8944DP. Published by Hope Publishing...(+)

$175.00 ≈ 163.34€

WHO IS JESUS?-ORGAN PART-Digital Download

WHO IS JESUS?-ORGAN PART-Digital Download #Joel Raney #WHO IS JESUS?-ORGAN PART-Digit #Hope Publishing - Digital #SheetMusicPlus

SKU: H1.8949DP Composed by Joel Raney. Instrumental parts. 24 pages. Hope Publishing - Digital #8949DP. Published by Hope Publishing - Digital (H1.8949D...(+)

$23.95 ≈ 22.35€

String Quartet No. 2 "Bluegrass" (violin 1 part - two vlns, vla, cel)

String Quartet No. 2 "Bluegrass" (violin 1 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark OâConnor

Co #Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861782 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861782 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201709. Published by Mark O'Connor Musik International (A0.861782). String Quartet No. 2 Bluegrass (Score – two vlns, vla, cel) MO170BViolin 1 Part (score and parts available)Music by Mark O’Connor35 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170BCopyright © 2005 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00 ≈ 14.00€

String Quartet No. 2 "Bluegrass" (violin 2 part - two vlns, vla, cel)
String Quartet No. 2 "Bluegrass" (violin 2 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark OâConnor
Co #Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861784 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861784 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201713. Published by Mark O'Connor Musik International (A0.861784). String Quartet No. 2 Bluegrass (violin 2 part – two vlns, vla, cel) MO170CViolin 2 Part (score and parts available)Music by Mark O’Connor36 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170CCopyright © 2005 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00 ≈ 14.00€

String Quartet No. 2 "Bluegrass" (cello part - two vlns, vla, cel)
String Quartet No. 2 "Bluegrass" (cello part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark OâConnor
Co #Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861786 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 38 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861786 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 38 pages. Mark O'Connor Musik International #6201721. Published by Mark O'Connor Musik International (A0.861786). String Quartet No. 2 Bluegrass (Score – two vlns, vla, cel) MO170ECello Part (score and parts available)Music by Mark O’Connor33 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170ECopyright © 2005 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00 ≈ 14.00€

String Quartet No. 2 "Bluegrass" (viola part - two vlns, vla, cel)
String Quartet No. 2 "Bluegrass" (viola part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark OâConnor
Co #Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861785 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 36 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861785 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 36 pages. Mark O'Connor Musik International #6201717. Published by Mark O'Connor Musik International (A0.861785). String Quartet No. 2 Bluegrass (viola – two vlns, vla, cel) MO170DViola Part (score and parts available)Music by Mark O’Connor31 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170DCopyright © 2005 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00 ≈ 14.00€

The Trinity Service - Magnificat & Nunc dimittis
The Trinity Service - Magnificat & Nunc dimittis #Chorale SATB #INTERMÉDIAIRE/AVANCÉ #Ivo Antognini #The Trinity Service - Magnific #Ivo Antognini #SheetMusicPlus

Choral Choir (SATB divisi) - Level 4 - SKU: A0.1211209 Composed by Ivo Antognini. A Cappella,Contemporary,Latin,Sacred. Octavo. 24 pages. Ivo Antognini ...(+)

Choral Choir (SATB divisi) - Level 4 - SKU: A0.1211209 Composed by Ivo Antognini. A Cappella,Contemporary,Latin,Sacred. Octavo. 24 pages. Ivo Antognini #808911. Published by Ivo Antognini (A0.1211209). In this Trinity Service (2021) I used the text of the Magnificat as if it were the storyboard of a film. I tried to describe in the utmost detail the emotion the words conveyed to me and the images they suggested. In this composition I have used word-painting, attempting to colour as many words, phrases and situations as possible; hence the score is full of expression markings such as ‘majestic’, ‘with vigour’, ‘lively’, ‘intense’, ‘with affection’ and ‘with verve’. The result is a piece that changes texture rather quickly, and its noble opening theme (‘My soul doth magnify the Lord’) returns only once in abbreviated form (‘He hath filled the hungry with good things’). The following Nunc dimittis has a much more meditative and intimate character with a sparser texture. There are some references to the themes presented in the Magnificat. A motif from the Magnificat, ‘Glory be to the Father, and to the Son’, recurs in almost the same form towards the close of the Nunc dimittis, but in a quieter vein and in 4 rather than the 43 of the Magnificat. The Magnificat and the Nunc dimittis may be performed individually.

$3.99 ≈ 3.72€

Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano #Therese Brenet #Thérèse Brenet : #Musik Fabrik Music Publishing #SheetMusicPlus

Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 page...(+)

Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 pages. Musik Fabrik Music Publishing #44847. Published by Musik Fabrik Music Publishing (A0.532825). The word Boustrophédon is a 16th century expression which refers to an archaic type of writing in which, after having written a line from left to right, one continues the next line from right to left and then alternates directions. This is the way the oldest known latin inscriptions are written, as well as in the traditional writing of the Touaregs The etymology comes from the Greek “bous” or ox and the verbal form “trophéin” or the verb “to turn”. These two elements give the image that this writing is traced in the same way that the ox pulled the plow in the fields In the sub-title, there is an evocation of Rimbaud‘s famous “Vowel“ sonnet : : Oh, sublime trumpet full of strange piercing sounds The author wanted to suggest both musically and technically the manner of this style of writing in boustrophedon. The work begins thus with a sonorous strange sonorous background which suggests this type of writing. This strange atmosphere is created by glissandi on the piano strings as well as on the strings of the violin and the violoncello. These alternating movements create “strange piercing sounds” against which the flute and clarinet alternately play brief sequences which create the outline of a melody. Then the atmosphere changes : the violin, the cello and the piano come together in a percussive violent outburst, which creates a tragic, passionate feeling which may also be considered “strange piercing sounds”. Several long aleatoric phrases are then presented like a sonorous halo which intensify to bring the lister to an intense Chorale-like phrase which serves as the central pillar of the work. This phrase is repeated several times, each time gaining in intensity to bring the work to its summit. At the conclusion, the theme is presented again with a great violence, this time without the boustropedon but perhaps with “strange piercing sounds”. https://www.youtube.com/watch?v=-SdwCOr-wzA.

$29.95 ≈ 27.95€

The Present Tense
The Present Tense #Guitare notes et tablatures #Geddy Lee #The Present Tense #Alfred Music - Digital Sheet Music #SheetMusicPlus

Guitar TAB - SKU: AX.00-PS-0001797 By Geddy Lee. By Ben Mink and Geddy Lee. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0001797. Publis...(+)

Guitar TAB - SKU: AX.00-PS-0001797 By Geddy Lee. By Ben Mink and Geddy Lee. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0001797. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0001797).

$2.99 ≈ 2.79€

Mendelssohn: the Hebrides Overture for Piano Quintet
Mendelssohn: the Hebrides Overture for Piano Quintet #Classique #Felix Bartholdy Mendelssohn #James M #Mendelssohn: the Hebrides Over #jmsgu3 #SheetMusicPlus

Strings Piano - Level 5 - SKU: A0.550013 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Romantic Period,St...(+)

Strings Piano - Level 5 - SKU: A0.550013 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Romantic Period,Standards,World. 89 pages. Jmsgu3 #4574575. Published by jmsgu3 (A0.550013). The Hebrides Overture, also known as Fingal's Cave, is a concert overture composed by Felix Mendelssohn in 1830, revised in 1832, and published the following year as Mendelssohn's Op. 26. It is a standalone composition in a form familiar to the Romantic period and is not drawn from a stage work or opera. The overture consists of two primary themes, with the opening notes stating the theme Mendelssohn wrote while visiting Fingal's Cave and the second theme depicting movement at sea and rolling waves.Mendelssohn was inspired to compose this piece after visiting the Scottish island of Staffa and its famous Fingal's Cave, which made a deep impression on him due to its echoing acoustics and the sound of waves crashing against rocks. The intense and rolling melodies within the music perfectly capture the sense of drama and awe of the Scottish landscape. The Hebrides Overture, also known as Fingal's Cave, has been used in popular culture in various ways. It has been performed by orchestras worldwide and has become part of the standard orchestral repertoire, retaining its position to the present day. The overture has also inspired literary works like Virginia Woolf's novel. Additionally, Mendelssohn's visit to the Hebrides and the composition of the overture have contributed to the popularity of Fingal's Cave as a tourist destination. Furthermore, the overture has been featured in recordings and concerts, contributing to its enduring presence in the musical landscape.

$52.95 ≈ 49.42€

Salome Tanz (Dance of the Seven Veils)
Salome Tanz (Dance of the Seven Veils) #Flûte traversière et Piano #AVANCÉ #James Strauss #James Strauss #Salome Tanz #James Strauss #SheetMusicPlus

Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred...(+)

Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.

$29.99 ≈ 27.99€

The Heavens Declare ~ Psalm 19 (for Violin and Cello Duet with Piano accompaniment)
The Heavens Declare ~ Psalm 19 (for Violin and Cello Duet with Piano accompaniment) #Piano Trio: piano, violon, violoncelle #INTERMÉDIAIRE #Musique Sacrée #Sharon Wilson #Sharon Wilson #CELLO â G2 to A3 #The Heavens Declare ~ Psalm 19 #Sharon Wilson #SheetMusicPlus

Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.565137 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Con...(+)

Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.565137 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Holiday,Praise & Worship,Sacred. Score and parts. 24 pages. Sharon Wilson #3469886. Published by Sharon Wilson (A0.565137). This original Scripture song based on Psalm 19 verses 1-4 is arranged as an instrumental trio (for CELLO and VIOLIN Duet with PIANO Accompaniment). The CELLO and VIOLIN alternate leading with the melody throughout beginning with the CELLO on the first phrase. The PIANO accompaniment provides cascading eighth note runs creating a flowing harmony that alternates with bold, rhythmic chords on the more intense sections.String ranges are as follows: VIOLIN – G4 to A5; CELLO – G2 to A3. All notes for both the VIOLIN and CELLO are playable in the first position making this an excellent selection for beginning string players. Duration 2:45.The purchase price includes these printing options: 1. a grand staff (11 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (4 pages)To enhance the presentation of this song, a slide show featuring stars and space overlaid with the scripture verse could be displayed during the performance. The lyrics were adapted from the World English Bible (WEB) and are printed below:Lyrics:The heavens declare the glory of God.The skies proclaim his handiwork.Day after day they pour out their speech,And night after night God’s knowledge is displayed.There is no speech, nor is there a language where their voice is not heard.Their voice has gone out through all of the earth,Their words to the end of the world.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

$5.99 ≈ 5.59€

Mendelssohn: The Hebrides Overture for String Quartet
Mendelssohn: The Hebrides Overture for String Quartet #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Classique #Felix Bartholdy Mendelssohn #James M #Mendelssohn: The Hebrides Over #jmsgu3 #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.550016 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Ro...(+)

String Quartet String Quartet - Level 5 - SKU: A0.550016 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Romantic Period,Standards,World. 72 pages. Jmsgu3 #4574631. Published by jmsgu3 (A0.550016). The Hebrides Overture, also known as Fingal's Cave, is a concert overture composed by Felix Mendelssohn in 1830, revised in 1832, and published the following year as Mendelssohn's Op. 26. It is a standalone composition in a form familiar to the Romantic period and is not drawn from a stage work or opera. The overture consists of two primary themes, with the opening notes stating the theme Mendelssohn wrote while visiting Fingal's Cave and the second theme depicting movement at sea and rolling waves.Mendelssohn was inspired to compose this piece after visiting the Scottish island of Staffa and its famous Fingal’s Cave, which made a deep impression on him due to its echoing acoustics and the sound of waves crashing against rocks. The intense and rolling melodies within the music perfectly capture the sense of drama and awe of the Scottish landscape. The Hebrides Overture, also known as Fingal's Cave, has been used in popular culture in various ways. It has been performed by orchestras worldwide and has become part of the standard orchestral repertoire, retaining its position to the present day. The overture has also inspired literary works like Virginia Woolf's novel. Additionally, Mendelssohn's visit to the Hebrides and the composition of the overture have contributed to the popularity of Fingal's Cave as a tourist destination. Furthermore, the overture has been featured in recordings and concerts, contributing to its enduring presence in the musical landscape.

$45.95 ≈ 42.89€

On the Air (for Brass Quintet & Marimba)
On the Air (for Brass Quintet & Marimba) #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #AVANCÉ #Dr #On the Air #https://gildedmusicpress.com/ #SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158411 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Historic. 33 pages...(+)

Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158411 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Historic. 33 pages. Https://gildedmusicpress.com/ #758693. Published by https://gildedmusicpress.com/ (A0.1158411). The year 2022 marked a milestone for the United States Air Force, as the world’s greatest airpower celebrated 75 years of air and space dominance. Omaha’s classical radio station was also celebrating a milestone year with its 50th anniversary. The resulting composition, cleverly titled “On the Air,” was written to observe both momentous anniversaries. The introduction plays on a cleverly adapted four-bar rhythmic motif that repeats, each time growing in intensity, conjuring images of a radio newsroom about to air breaking news. This opening rhythm is derived from Morse code letters K, V, N, & O (__ . __ | . . . __ | __ . | __ __ __), which is Omaha’s classical radio station. The main melodic theme begins after the intense introduction, stemming from the KVNO motif, and exudes energy worthy of the greatest of celebrations, replete with trumpets punctuating the strains with fanfare-like figures. After the KVNO transition to an exciting new key, the theme occurs a second time in the trumpets before simmering down to the second theme in a slower tempo, intended to be retrospective of the last 75 and 50 years of the two celebrating entities. In homage to the conflicts, sacrifices, and losses during 75 years of Air Force history, this melancholy melody in the horn repeats in octaves with horn and tuba, contrasting with the opening jubilation. However, without starkly “snapping back” to a celebratory mood, the original theme gently makes its reentry in the form of a mellow waltz with duetting trumpets, as a hopeful look to the future. The second iteration of the waltz brings back hints of the Morse code letters in the introduction, as underlying accompaniment to build energy and drive. It pivots fully with the KVNO introductory motif that changes keys while exploding with the recapitulation of the original full theme, intensifying the celebratory mood for the present festivities. The waltz version of the theme comes back, fragmented, hinting toward a fugato treatment. The non-fugal fragmentation is laced with virtuosically ornamented accompanimental lines reminiscent of a British-style brass band, and quickly settles into a full climactic presentation of the waltz iteration. The work ends full circle, with repeated KVNO rhythmic statements, in grand fashion for a firework finale.

$24.95 ≈ 23.29€

Let all the world in every corner sing - Anthem for SATB
Let all the world in every corner sing - Anthem for SATB #Chorale SATB #INTERMÉDIAIRE #Martin Shaw #John Ross #Let all the world in every cor #John Ross #SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1393984 Composed by Martin Shaw (1875-1958). Arranged by John Ross. 20th Century,Christian,Religious,Sacr...(+)

Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1393984 Composed by Martin Shaw (1875-1958). Arranged by John Ross. 20th Century,Christian,Religious,Sacred. 10 pages. John Ross #977437. Published by John Ross (A0.1393984). In 1915 the English composer Martin Shaw (1875-1958) wrote the hymn-tune High Road. Its vigorous and intensely lively tune is a perfect match for the words Let all the world in every corner sing by the English poet and priest George Herbert (1593-1633). High Road appeared in various hymnals of the early 20th century but has since slipped out of common use. The present arrangement expands the hymn-tune into an SATB anthem.

$1.99 ≈ 1.86€

Dance of the Harps
Dance of the Harps #Harpe #INTERMÉDIAIRE #Meg Robinson #Dance of the Harps #Afghan Press Music for the Harp #SheetMusicPlus

Harp - Intermediate - Digital Download Composed by Meg Robinson. 55 pages. Published by Afghan Press Music for the Harp ...(+)

Harp - Intermediate - Digital Download Composed by Meg Robinson. 55 pages. Published by Afghan Press Music for the Harp
This hauntingly beautiful three-part harp ensemble was commissioned for the opening of a new 2000-seat concert facility, Strathmore Music Hall, in Bethesda, Maryland. Dance of the Harps is presented with an underlying 3/4 accompaniment of swaying rhythm. The melody is shared between the first and second parts, while the third part provides underlying rhythm. The melody develops and expands and is followed by a sharply contrasting middle section, which is much faster and jig-like. In this section, the harps let loose in their dance, which has become spirited and playful. Following this faster middle section, the ensemble returns to the original melody, but with greater intensity and rhythmic vitality. As the piece comes to its dramatic conclusion, layer upon layer of rich harmonies unfold and become increasingly intense, culminating in a bell-like explosion of syncopated celebratory sound. The piece can be played by an ensemble of all level intermediate lever or pedal harpists, as each of the three parts is written with a different degree of technical difficulty.

$17.00 ≈ 15.87€

Game Of Thrones
Game Of Thrones #Orchestre #INTERMÉDIAIRE/AVANCÉ #Various #the talented Ramin Djawadi and #Flavio Regis Cunha #Game Of Thrones #Flavio Regis Cunha #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.1205840 By Various. By Ramin Djawadi. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructi...(+)

Full Orchestra - Level 4 - SKU: A0.1205840 By Various. By Ramin Djawadi. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wedding. Score and Parts. 67 pages. Flavio Regis Cunha #804027. Published by Flavio Regis Cunha (A0.1205840). Are you a music director looking for a unique and complex piece of music to challenge your choir or orchestra? Look no further. Presenting the Game of Thrones: Suite for Choir and Orchestra. Composed by the talented Ramin Djawadi and arranged to make a perfect performance piece for any choir or orchestra. With a wide range of intensely emotive music, it fits the theatrical grandeur of the series and will make your choir or orchestra stand out from the crowd. Impress your audience with this epic soundtrack today.This is a powerful arrangement of Game of Thrones for Choir and full orchestra. You can use it to make a big impact on weddings, business presentations, parties, celebrations, and music concerts. Your group will vibrate with the vibrancy and great impact that this music can cause on the public. The level is intermediate and quite affordable.Arranged for Choir and Orchestra.GAME OF THRONES Music by RAMIN DJAWADI Arranged by Flávio Régis Cunha INSTRUMENTATIONFLUTE 1. 2OBOE 1. 2CLARINET 1. 2. 3. IN BbBASSON 1. 2HORN 1. 2 IN FTRUMPET 1. 2. 3 IN Bb TROMBONE 1. 2BASS TROMBONETUBATIMPANIPERCUSSION 1. 2. 3 (Tenor Drum, Tom-tons, Gran Cassa, Susp.Cymbal)SATB CHOIR HARPSICHORD (OPTIONAL PIANO)VIOLIN 1VIOLIN 2VIOLAVIOLONCELLODOUBLE BASSAdvanced Intermediate.Format: Concert, 9 x 12 inches.65 pages.Full score and orrchestral partsNotesThis emotion- packed piece, 'Game of Thrones' composed by Ramin Djawadi, arranged for Choir and Orchestra, will take you on a breathtaking musical journey! Inspired by the hit television series of the same name, this piece takes listeners on an epic and thrilling ride. The opening of this piece introduces a soaring fanfare of trumpets that is as bold as the game of thrones played in the series. The choir then swells in a powerful, driving intensity that captures the suspense and intensity that can be found in the series. The orchestra then takes over with robust, pulsating strings that give the piece a sense of majesty and beauty. Together, these elements create a thrilling musical landscape that captures the drama and emotion of this beloved series. With this piece, listeners will be sure to be captivated and immersed in the expansive and dynamic world of 'Game of Thrones'.

$59.99 ≈ 55.99€

Blue Bird (For Viola and Piano)
Blue Bird (For Viola and Piano) #Alto, Piano #INTERMÉDIAIRE/AVANCÉ #Korean Traditional #Han-Ki Kim #Blue Bird #Han-Ki Kim #SheetMusicPlus

Piano,Viola - Level 4 - SKU: A0.511793 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Sco...(+)

Piano,Viola - Level 4 - SKU: A0.511793 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and part. 12 pages. Han-Ki Kim #6245735. Published by Han-Ki Kim (A0.511793). Folk songs can be said to be music that contains the life and soul of our ancestors, and these days, when the desire to find our own is strong, the folk song “Blue Bird” has a very important meaning in that it is unique to Korea. Along with Arirang, the representative folk song of Korea, “Bird, Bird, Blue Bird” is also unique to us, and it is music that contains the life and soul of our ancestors, and it is a precious legacy that should be passed down to future generations.The vague themes are gradually heightened and repeated. Then, the theme is played alternately with the compositional change of the descending perfect 5th sphere for each part. Then, a short connector appears following the harmonics, which gives off an oriental taste. The bass and treble sections play the theme and melody alternately, and in the finale, a majestic harmony and tense notes show a musical uplift, ending with a witty and decisive note processing.1. It’s very suitable for Concert and for Educational material.2. Shown Bowing sign and Fingering will be very helpful to player.3. Attached Music file is recorded with Violin and Piano, just for a reference.

$5.50 ≈ 5.13€

The High Priestess (for flute, violin, horn in F, & piano)
The High Priestess (for flute, violin, horn in F, & piano) #Contemporain #JohnWillard Utuk #The High Priestess #JohnWillard Utuk #SheetMusicPlus

Flute,Horn,Piano,Violin - Level 3 - SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard...(+)

Flute,Horn,Piano,Violin - Level 3 - SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo” that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.

$40.00 ≈ 37.33€

Blue Bird (For Viola and Strings)
Blue Bird (For Viola and Strings) #Traditional #Han-Ki Kim #Blue Bird #Han-Ki Kim #SheetMusicPlus

String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1173966 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructio...(+)

String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1173966 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Romantic Period,Standards. 21 pages. Han-Ki Kim #774123. Published by Han-Ki Kim (A0.1173966). For Solo Viola and String Ensemble. Bird, Bird, Blue Bird Op.152BFolk songs can be said to be music that contains the life and soul of our ancestors, and these days, when the desire to find our own is strong, the folk song “Blue Bird” has a very important meaning in that it is unique to Korea. Along with Arirang, the representative folk song of Korea, “Bird, Bird, Blue Bird” is also unique to us, and it is music that contains the life and soul of our ancestors, and it is a precious legacy that should be passed down to future generations.The vague themes are gradually heightened and repeated. Then, the theme is played alternately with the compositional change of the descending perfect 5th sphere for each part. Then, a short connector appears following the harmonics, which gives off an oriental taste. The bass and treble sections play the theme and melody alternately, and in the finale, a majestic harmony and tense notes show a musical uplift, ending with a witty and decisive note processing.1. It’s very suitable for Concert and for Educational material.2. Shown Bowing sign and Fingering will be very helpful to player.3. Attached Music file is recorded with Violin and Piano, just for a reference.

$15.90 ≈ 14.84€

Affirmation [Brass Quintet]
Affirmation [Brass Quintet] #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE/AVANCÉ #Juan MarÃa Solare #Affirmation [Brass Quintet] #Juan Maria Solare #SheetMusicPlus

Brass Ensemble - Level 4 - SKU: A0.596490 Composed by Juan María Solare. 20th Century,Contemporary,Graduation,Latin,Standards. Score and parts. 13 page...(+)

Brass Ensemble - Level 4 - SKU: A0.596490 Composed by Juan María Solare. 20th Century,Contemporary,Graduation,Latin,Standards. Score and parts. 13 pages. Juan Maria Solare #3088323. Published by Juan Maria Solare (A0.596490). It's titled Affirmation simply because the piece sounds affirmative, as a statement. Furthermore, if you consider what affirmation means in a New Age context, you may think of this piece as a musical statement in present tense, positive, specific and personal. Personal taking the quintet as a unity. World premiere: by the Nautilus Brass Quintet, June 29th, 2014 - Jan Hus Church, New York City Also performed by the Temporal Brass Quintet (Chicago), https://www.youtube.com/watch?v=avwcng8DvgQ&t=14m57s

$4.00 ≈ 3.73€

String Quartet No.2
String Quartet No.2 #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Frederick Paul Naftel #String Quartet No.2 #Frederick Naftel #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...(+)

String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel

$19.99 ≈ 18.66€

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